We live in an ocean of capricious movement. I am not willing to let my works live in a sea of tears. Reluet resilient paintings, Reluet resilient sculptures and Reluet resilient illustrations have decided to flow and I will be by your side enjoying every moment.
In 1999 I had to start from scratch with my family with a suitcase loaded with memories, smells and objects through a capricious swamp that did not let me decide.
In 2009 I found my life purpose by connecting my identity with my authenticity.
Today I am not willing to let anyone take ownership of my artistic legacy.
What I liked was when I heard “Pukkart Art Protection against fraud on works of art”.
Digitalart certifies and protects works of art, making art trade safe and transparent with its certificates of authenticity and ownership for artists, collectors and galleries. With its security labels, based on blockchain technology, designed together with the National Mint and Stamp Factory, they guarantee the inviolability and non-counterfeiting of the works.
Thank you Joaquin and Azahara, your anti-counterfeiting and inviolability technology has marked a before and after when protecting cultural heritage.
Pukkart protects Reluet’s legacy
Reluet News
Selected XV National Recycled Art Contest Transformarte
Selected XV National Recycled Art Contest Transformarte
Reluet among the artists selected in the Contest that rewards works made with recycled materials and its only limit is the creativity and ingenuity of the artist.
Interview at Gatgarotus EMUNFMRADIO Arte Reluet
Interview in Gatgarotus EMUNFMRADIO Arte Reluet.
Imaginative people, artisan people, people who work with their hands, entrepreneurial people and people who have the tools that can help you be so.
Publication in the International Catalog of ABSTRACT Art
Featured in the ABSTRART International Art Catalog.
A catalog that brings together artists from around the world who explore the infinite possibilities of abstraction through diverse artistic languages, offering a highly personal interpretation.
