Article in 1819 Art Magazine number 19

In April 2024 they published an article by Reluet in 1819 Art Magazine in its 19th issue.

1819 Art Magazine is an art publication whose purpose is to give voice and visibility to international artists.

Thank Antonio Sánchez, Curator and director of 1819 Art Gallery, an online art gallery that makes emerging artists visible. He says that the path is diverse, the destination is common: freedom of expression.

Let us act now so that the art of tomorrow reflects the true essence of humanity in all its varied glory!

My first published article, page 29.

“Life is a gratitude of colors. They are all beautiful, they are moments, it is the Now.

The decision is the most beautiful color chosen for you.

Do not cling to that color if it is altered by someone else’s exposure. Let it flow and let it transform because it is a learning experience.

Whatever you do, be grateful to yourself and vibrate with what you feel.

Everything is fine, only you must trust yourself and be consistent.”

RELUET

By Antonio Sánchez Castro

Curatorial text, pages 34,35 and 36.

ECHOES, MIRRORS AND HARMONIES OF THE VOID

Canvases and sculptures unfold before us, temples of lines and colors that make up an orchestra of palpable emotions, resonating with the harmonic vibration of the purest creativity. In the embrace of abstract geometry and natural elements, these works sing visual songs; They are poetic dialoguers of the human spirit, where the firmness of a black line and the purity of primary colors meet in a timeless dance of infinite possibilities.

Empty space is not a void, but one filled with silence that echoes in the soul, giving meaning to the noise of our existence. Lines and curves become cartographic symbols of our emotional paths, while circles and geometric shapes, in their simple presence, speak of eternity and human interconnection.

These pieces, mirrors of the depths of the being, invite each viewer to immerse themselves in a contemplation that transcends sight, offering a visual narrative that suggests that in the most simplified expression lies the most complex resonance. The sculpture, with its earthy forms and twisted branches, anchors us to the earthly and at the same time, elevates us towards the divine. It is the representation of the perpetual cycle of life, a reflection on the persistence of emerging beauty from fragility and the human capacity to find depth in simplicity, meaning in the abstract. The dialogue established here is a two-way journey, a collaboration between creator and contemplator, an ebb and flow of intention and interpretation. The collection is not merely an exhibition of technique or history; It is a sacred space where the mind and heart walk hand in hand, exploring the confines of understanding and emotion.

On the canvas of everyday life, each work stands as a visual poem, a silent ode that unfolds paths of infinite possibilities. It is a symphony of silhouettes and tones that invites the soul to dance freely, a communion with beauty in its most authentic and profound form. In the interaction with the viewer, a living canvas is born that is remade with each new look, each sigh and each heartbeat. This set of works are experiences to be and feel. They teach us that art, like life, is a language that speaks in whispers and shouts, uniting all souls under the vast sky of human expression.

In this collection, we find a hymn to the cosmos of our own souls, an emotional cartography that guides us through the seas of existence.