{"id":8349,"date":"2024-06-17T05:31:13","date_gmt":"2024-06-17T05:31:13","guid":{"rendered":"https:\/\/www.reluet.com\/?p=8349"},"modified":"2025-09-23T05:59:27","modified_gmt":"2025-09-23T05:59:27","slug":"article-in-1819-art-magazine-number-19","status":"publish","type":"post","link":"https:\/\/www.reluet.com\/en\/article-in-1819-art-magazine-number-19\/","title":{"rendered":"Article Artnobel Magazine Inspiration Review of Contemporary Art"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; admin_label=&#8221;Work&#8221; _builder_version=&#8221;4.18.0&#8243; background_enable_image=&#8221;off&#8221; background_size=&#8221;initial&#8221; background_repeat=&#8221;repeat&#8221; custom_margin=&#8221;0px||||false|false&#8221; custom_padding=&#8221;0px||12px||false|false&#8221; da_disable_devices=&#8221;off|off|off&#8221; global_colors_info=&#8221;{}&#8221; da_is_popup=&#8221;off&#8221; da_exit_intent=&#8221;off&#8221; da_has_close=&#8221;on&#8221; da_alt_close=&#8221;off&#8221; da_dark_close=&#8221;off&#8221; da_not_modal=&#8221;on&#8221; da_is_singular=&#8221;off&#8221; da_with_loader=&#8221;off&#8221; da_has_shadow=&#8221;on&#8221;][et_pb_row custom_padding_last_edited=&#8221;off|phone&#8221; _builder_version=&#8221;4.18.0&#8243; background_position=&#8221;bottom_center&#8221; custom_padding=&#8221;5px||15px|||&#8221; custom_padding_tablet=&#8221;17vw||17vw||false&#8221; use_custom_width=&#8221;on&#8221; width_unit=&#8221;off&#8221; custom_width_percent=&#8221;100%&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.25.1&#8243; text_font=&#8221;||||||||&#8221; header_font=&#8221;||||||||&#8221; header_font_size=&#8221;33px&#8221; header_letter_spacing=&#8221;6px&#8221; header_2_font=&#8221;Montserrat|500|||||||&#8221; header_2_text_align=&#8221;center&#8221; header_2_font_size=&#8221;44px&#8221; header_2_line_height=&#8221;1.3em&#8221; header_3_font=&#8221;|700||on|||||&#8221; header_3_text_align=&#8221;center&#8221; header_3_text_color=&#8221;rgba(0,0,0,0.35)&#8221; header_3_font_size=&#8221;24px&#8221; header_3_letter_spacing=&#8221;5px&#8221; header_3_line_height=&#8221;2em&#8221; transform_translate_linked=&#8221;off&#8221; max_width_tablet=&#8221;70%&#8221; max_width_last_edited=&#8221;off|phone&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;||7px|||&#8221; header_2_font_size_tablet=&#8221;40px&#8221; header_2_font_size_phone=&#8221;26px&#8221; header_2_font_size_last_edited=&#8221;on|tablet&#8221; header_3_font_size_phone=&#8221;10px&#8221; header_3_font_size_last_edited=&#8221;off|desktop&#8221; module_alignment_last_edited=&#8221;off|desktop&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_85 counter-hierarchy ez-toc-counter ez-toc-light-blue ez-toc-container-direction\">\n<div class=\"ez-toc-title-container\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">\u00cdndice de contenidos<\/p>\n<span class=\"ez-toc-title-toggle\"><a href=\"#\" class=\"ez-toc-pull-right ez-toc-btn ez-toc-btn-xs ez-toc-btn-default ez-toc-toggle\" aria-label=\"Toggle Table of Content\"><span class=\"ez-toc-js-icon-con\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #999;color:#999\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #999;color:#999\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/span><\/a><\/span><\/div>\n<nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-1'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/www.reluet.com\/en\/article-in-1819-art-magazine-number-19\/#Article_Artnobel_Magazine_Inspiration_Review_of_Contemporary_Art\" >Article Artnobel Magazine Inspiration Review of Contemporary Art<\/a><ul class='ez-toc-list-level-2' ><li class='ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/www.reluet.com\/en\/article-in-1819-art-magazine-number-19\/#%E2%80%9CArt_lives_on_the_Internet_It_is_no_longer_exposed_it_is_disseminated_to_inspire_those_who_have_the_capacity_to_appreciate_it%E2%80%9D\" >\u201cArt lives on the Internet. It is no longer exposed, it is disseminated to inspire those who have the capacity to appreciate it.\u201d<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/www.reluet.com\/en\/article-in-1819-art-magazine-number-19\/#Article_in_Artnobel_magazine\" >Article in Artnobel magazine<\/a><ul class='ez-toc-list-level-3' ><li class='ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/www.reluet.com\/en\/article-in-1819-art-magazine-number-19\/#RELUET\" >RELUET<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-5\" href=\"https:\/\/www.reluet.com\/en\/article-in-1819-art-magazine-number-19\/#By_Alvaro_Canete\" >By Alvaro Ca\u00f1ete<\/a><\/li><\/ul><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-6\" href=\"https:\/\/www.reluet.com\/en\/article-in-1819-art-magazine-number-19\/#Artnobel_Inspiration_Review_of_Contemporary_Art_numero_23\" >Artnobel Inspiration Review of Contemporary Art n\u00famero 23<\/a><ul class='ez-toc-list-level-3' ><li class='ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-7\" href=\"https:\/\/www.reluet.com\/en\/article-in-1819-art-magazine-number-19\/#Reluet_in_Press\" >Reluet in Press<\/a><\/li><\/ul><\/li><\/ul><\/li><\/ul><\/nav><\/div>\n<h1 style=\"text-align: center;\"><span class=\"ez-toc-section\" id=\"Article_Artnobel_Magazine_Inspiration_Review_of_Contemporary_Art\"><\/span><strong>Article Artnobel Magazine Inspiration Review of Contemporary Art<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h1>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;3_5,2_5&#8243; custom_padding_last_edited=&#8221;off|phone&#8221; _builder_version=&#8221;4.16&#8243; background_position=&#8221;bottom_center&#8221; custom_padding=&#8221;14px||15px|||&#8221; custom_padding_tablet=&#8221;17vw||17vw||false&#8221; use_custom_width=&#8221;on&#8221; width_unit=&#8221;off&#8221; custom_width_percent=&#8221;100%&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;3_5&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.25.1&#8243; text_font=&#8221;Montserrat||||||||&#8221; text_font_size=&#8221;18px&#8221; text_line_height=&#8221;1.8em&#8221; header_font=&#8221;||||||||&#8221; header_2_font=&#8221;Montserrat|500|||||||&#8221; header_2_text_align=&#8221;left&#8221; header_2_font_size=&#8221;18px&#8221; header_2_letter_spacing=&#8221;2px&#8221; header_2_line_height=&#8221;1.3em&#8221; header_3_font=&#8221;Montserrat||||||||&#8221; header_3_text_align=&#8221;center&#8221; header_3_text_color=&#8221;#494949&#8243; header_3_font_size=&#8221;23px&#8221; header_3_letter_spacing=&#8221;5px&#8221; header_3_line_height=&#8221;2em&#8221; transform_translate_linked=&#8221;off&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;||19px|||&#8221; hover_enabled=&#8221;0&#8243; header_2_font_size_tablet=&#8221;40px&#8221; header_2_font_size_phone=&#8221;26px&#8221; header_2_font_size_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<p style=\"text-align: justify;\">In June 2024 they published an article by Reluet in the <strong>Artnobel Inspiration Review of Contemporary Art Magazine number 23. It is a digital magazine that promotes art with a strong presence on the Internet since 1999.<\/strong><\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/www.artnobel.es\/revista-23-erik-parker-cromatismo-psicodelico\/\" target=\"_blank\" rel=\"noopener\">https:\/\/www.artnobel.es\/revista-23-erik-parker-cromatismo-psicodelico\/<\/a><\/p>\n<p style=\"text-align: justify;\">Thank Maite Alonso, Founder of Artnobel, for her dissemination work.<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.25.1&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;Montserrat||||||||&#8221; text_text_color=&#8221;#FFFFFF&#8221; text_font_size=&#8221;20px&#8221; text_line_height=&#8221;1.8em&#8221; header_font=&#8221;||||||||&#8221; header_2_font=&#8221;Montserrat|500|||||||&#8221; header_2_text_align=&#8221;center&#8221; header_2_text_color=&#8221;#FFFFFF&#8221; header_2_font_size=&#8221;24px&#8221; header_2_letter_spacing=&#8221;2px&#8221; header_2_line_height=&#8221;1.3em&#8221; header_3_font=&#8221;Montserrat||||||||&#8221; header_3_text_align=&#8221;center&#8221; header_3_text_color=&#8221;#494949&#8243; header_3_font_size=&#8221;23px&#8221; header_3_letter_spacing=&#8221;5px&#8221; header_3_line_height=&#8221;2em&#8221; background_color=&#8221;#000000&#8243; transform_translate_linked=&#8221;off&#8221; module_alignment=&#8221;center&#8221; custom_padding=&#8221;43px|40px|43px|40px|true|true&#8221; header_2_font_size_tablet=&#8221;40px&#8221; header_2_font_size_phone=&#8221;26px&#8221; header_2_font_size_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2><span class=\"ez-toc-section\" id=\"%E2%80%9CArt_lives_on_the_Internet_It_is_no_longer_exposed_it_is_disseminated_to_inspire_those_who_have_the_capacity_to_appreciate_it%E2%80%9D\"><\/span>\u201cArt lives on the Internet. It is no longer exposed, it is disseminated to inspire those who have the capacity to appreciate it.\u201d<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>[\/et_pb_text][et_pb_button button_url=&#8221;https:\/\/www.instagram.com\/arte.reluet\/&#8221; url_new_window=&#8221;on&#8221; button_text=&#8221;Follow me on Instagram&#8221; button_alignment=&#8221;center&#8221; _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; custom_button=&#8221;on&#8221; button_text_size=&#8221;23px&#8221; button_text_color=&#8221;#FFFFFF&#8221; button_bg_color=&#8221;#000000&#8243; button_icon=&#8221;&#xe09a;||divi||400&#8243; button_on_hover=&#8221;off&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_button][\/et_pb_column][et_pb_column type=&#8221;2_5&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_image src=&#8221;https:\/\/www.reluet.com\/wp-content\/uploads\/2024\/06\/Portada-revista-digital-Artnobel-Inspiration-Review-of-Contemporary-Art.jpg&#8221; alt=&#8221;Cover of digital magazine Artnobel Inspiration Review of Contemporary Art&#8221; title_text=&#8221;Cover of digital magazine Artnobel Inspiration Review of Contemporary Art&#8221; align=&#8221;center&#8221; _builder_version=&#8221;4.25.1&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; border_width_all=&#8221;1px&#8221; border_color_all=&#8221;#000000&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;||3px|||&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.25.1&#8243; text_font=&#8221;||||||||&#8221; header_font=&#8221;||||||||&#8221; header_2_font=&#8221;Prata|500|||||||&#8221; header_2_font_size=&#8221;34px&#8221; header_2_line_height=&#8221;1.3em&#8221; header_3_font=&#8221;|700||on|||||&#8221; header_3_text_color=&#8221;rgba(0,0,0,0.35)&#8221; header_3_font_size=&#8221;12px&#8221; header_3_letter_spacing=&#8221;5px&#8221; header_3_line_height=&#8221;2em&#8221; transform_translate_linked=&#8221;off&#8221; text_orientation=&#8221;center&#8221; max_width_tablet=&#8221;70%&#8221; max_width_last_edited=&#8221;off|phone&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;||2px|||&#8221; header_2_font_size_tablet=&#8221;40px&#8221; header_2_font_size_phone=&#8221;26px&#8221; header_2_font_size_last_edited=&#8221;on|phone&#8221; header_3_font_size_phone=&#8221;10px&#8221; header_3_font_size_last_edited=&#8221;off|desktop&#8221; module_alignment_last_edited=&#8221;off|desktop&#8221; text_text_align=&#8221;center&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2><span class=\"ez-toc-section\" id=\"Article_in_Artnobel_magazine\"><\/span>Article in Artnobel magazine <span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;3_5,2_5&#8243; _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;3_5&#8243; _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.25.1&#8243; text_font=&#8221;Montserrat||||||||&#8221; text_font_size=&#8221;18px&#8221; text_line_height=&#8221;1.8em&#8221; header_font=&#8221;||||||||&#8221; header_2_font=&#8221;Montserrat|500|||||||&#8221; header_2_text_align=&#8221;left&#8221; header_2_font_size=&#8221;18px&#8221; header_2_letter_spacing=&#8221;2px&#8221; header_2_line_height=&#8221;1.3em&#8221; header_3_font=&#8221;Montserrat||||||||&#8221; header_3_text_align=&#8221;center&#8221; header_3_text_color=&#8221;#494949&#8243; header_3_font_size=&#8221;23px&#8221; header_3_letter_spacing=&#8221;5px&#8221; header_3_line_height=&#8221;2em&#8221; transform_translate_linked=&#8221;off&#8221; module_alignment=&#8221;center&#8221; custom_padding=&#8221;|||41px||&#8221; header_2_font_size_tablet=&#8221;40px&#8221; header_2_font_size_phone=&#8221;26px&#8221; header_2_font_size_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3><span class=\"ez-toc-section\" id=\"RELUET\"><\/span><strong>RELUET<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h3>\n<h3><span class=\"ez-toc-section\" id=\"By_Alvaro_Canete\"><\/span><strong>By Alvaro Ca\u00f1ete<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.25.1&#8243; text_font=&#8221;Montserrat||||||||&#8221; text_font_size=&#8221;18px&#8221; text_line_height=&#8221;1.8em&#8221; ol_line_height=&#8221;2em&#8221; header_font=&#8221;||||||||&#8221; header_2_font=&#8221;Montserrat|500|||||||&#8221; header_2_text_align=&#8221;left&#8221; header_2_font_size=&#8221;18px&#8221; header_2_letter_spacing=&#8221;2px&#8221; header_2_line_height=&#8221;1.3em&#8221; header_3_font=&#8221;Montserrat||||||||&#8221; header_3_text_align=&#8221;center&#8221; header_3_text_color=&#8221;#494949&#8243; header_3_font_size=&#8221;23px&#8221; header_3_letter_spacing=&#8221;5px&#8221; header_3_line_height=&#8221;2em&#8221; transform_translate_linked=&#8221;off&#8221; module_alignment=&#8221;center&#8221; custom_padding=&#8221;|0px||||&#8221; header_2_font_size_tablet=&#8221;40px&#8221; header_2_font_size_phone=&#8221;26px&#8221; header_2_font_size_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: justify;\"><strong>N\u00faria Companys Castro invites us to look beyond the obvious.<\/strong><\/p>\n<p style=\"text-align: justify;\"><strong>N\u00faria Companys Castro, an artist who has transcended the boundaries of painting, illustration and sculpture, is also the founder of the \u201cResilient Art Movement\u201d with her multidisciplinary project \u201cReluet\u201d<\/strong>. His work, which has been displayed in numerous exhibitions, <strong> is a testament to his ability to transform adversity into art. <\/strong><\/p>\n<p style=\"text-align: justify;\">The artist born in Miralpeix, a picturesque town in the province of Lleida, Spain, faced a significant loss at the age of thirteen when her ancestral home, \u201cCal Teuler\u201d, was submerged by a swamp. This event catalyzed her artistic exploration around reinvention, resilience and bravery.<\/p>\n<p style=\"text-align: justify;\">The project \u201cReluet\u201d arises from \u201cTeuler\u201d (original name of his house) read backwards, it is a visual narrative of his lost home. Since then, <strong>N\u00faria Companys Castro rescues inanimate objects from \u201cCal Teuler\u201d, such as doors, windows and chairs, and revitalizes them through her art. <\/strong><\/p>\n<p style=\"text-align: justify;\">His work, which involves imagination, research, experimentation and a deep connection with symbolism, focuses on three key concepts:<\/p>\n<ol style=\"text-align: justify;\">\n<li><strong>Reinvention<\/strong>: Give new life and meaning to forgotten objects.<\/li>\n<li><strong>Resilience:<\/strong> Demonstrates the ability to overcome challenges and adapt.<\/li>\n<li><strong>Courage:<\/strong> Expresses your story and emotions, inviting the public to share your artistic journey.<\/li>\n<\/ol>\n<p style=\"text-align: justify;\"><strong>Among his notable works is \u201cMasked Warrior,\u201d a sculpture that symbolizes bravery in the face of adversity<\/strong>. This piece represents the artist&#8217;s grandiose rebirth from darkness to light, giving new life to elements of her former house submerged underwater. The work invites you not to fight against destiny, but to have fun taking control of it, waking up every day with knowledge of yourself and your own value.<\/p>\n<p style=\"text-align: justify;\">In addition to \u201cMasked Warrior\u201d, N\u00faria has created other significant works such as \u201cOr\u00edgen\u201d, \u201cControl\u201d and \u201cAwakening\u201d, each reflecting the ideals of her art. He also employs cryptology to preserve the history of messages, adding a layer of mystery and depth to his work.<\/p>\n<p style=\"text-align: justify;\"><strong>N\u00faria Companys Castro inspires us to see life as a source of light, even in the darkest moments.<\/strong> His art, like a river joining others, creates a confluence of beauty and meaning. With her introspective gaze and resilient heart, she encourages us to find beauty in reinvention and to flow with life, always with surprises along the way.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;2_5&#8243; _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/www.reluet.com\/wp-content\/uploads\/2024\/06\/Articulo-Revista-Artnobel-Inspiration-Review-of-Contemporary-Art.jpg&#8221; alt=&#8221;Article Artnobel Magazine Inspiration Review of Contemporary Art&#8221; title_text=&#8221;Article Artnobel Magazine Inspiration Review of Contemporary Art&#8221; show_in_lightbox=&#8221;on&#8221; _builder_version=&#8221;4.25.1&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;||2px|||&#8221; hover_enabled=&#8221;0&#8243; border_width_all=&#8221;1px&#8221; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;][\/et_pb_image][et_pb_image src=&#8221;https:\/\/www.reluet.com\/wp-content\/uploads\/2024\/06\/Nuria-Companys-Castro-Articulo-Revista-Artnobel-Inspiration-Review-of-Contemporary-Art.jpg&#8221; alt=&#8221;Nuria Companys Castro Article Artnobel Magazine Inspiration Review of Contemporary Art&#8221; title_text=&#8221;Nuria Companys Castro Article Artnobel Magazine Inspiration Review of Contemporary Art&#8221; show_in_lightbox=&#8221;on&#8221; _builder_version=&#8221;4.25.1&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;19px|||||&#8221; hover_enabled=&#8221;0&#8243; border_width_all=&#8221;1px&#8221; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.25.1&#8243; _module_preset=&#8221;default&#8221;][et_pb_column _builder_version=&#8221;4.25.1&#8243; _module_preset=&#8221;default&#8221; type=&#8221;4_4&#8243;][et_pb_image src=&#8221;https:\/\/www.reluet.com\/wp-content\/uploads\/2024\/06\/Reluet-Articulo-Revista-Artnobel-Inspiration-Review-of-Contemporary-Art.jpg&#8221; _builder_version=&#8221;4.25.1&#8243; _module_preset=&#8221;default&#8221; alt=&#8221;Reluet Article Artnobel Magazine Inspiration Review of Contemporary Art&#8221; title_text=&#8221;Reluet Article Artnobel Magazine Inspiration Review of Contemporary Art&#8221; align=&#8221;center&#8221; hover_enabled=&#8221;0&#8243; sticky_enabled=&#8221;0&#8243;][\/et_pb_image][et_pb_text _builder_version=&#8221;4.25.1&#8243; text_font=&#8221;||||||||&#8221; header_font=&#8221;||||||||&#8221; header_2_font=&#8221;Prata|500|||||||&#8221; header_2_font_size=&#8221;34px&#8221; header_2_line_height=&#8221;1.3em&#8221; header_3_font=&#8221;|700||on|||||&#8221; header_3_text_color=&#8221;rgba(0,0,0,0.35)&#8221; header_3_font_size=&#8221;12px&#8221; header_3_letter_spacing=&#8221;5px&#8221; header_3_line_height=&#8221;2em&#8221; transform_translate_linked=&#8221;off&#8221; text_orientation=&#8221;center&#8221; max_width_tablet=&#8221;70%&#8221; max_width_last_edited=&#8221;off|phone&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;||2px|||&#8221; hover_enabled=&#8221;0&#8243; header_2_font_size_tablet=&#8221;40px&#8221; header_2_font_size_phone=&#8221;26px&#8221; header_2_font_size_last_edited=&#8221;on|phone&#8221; header_3_font_size_phone=&#8221;10px&#8221; header_3_font_size_last_edited=&#8221;off|desktop&#8221; module_alignment_last_edited=&#8221;off|desktop&#8221; text_text_align=&#8221;center&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h2><span class=\"ez-toc-section\" id=\"Artnobel_Inspiration_Review_of_Contemporary_Art_numero_23\"><\/span>Artnobel Inspiration Review of Contemporary Art n\u00famero 23<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.25.1&#8243; text_font=&#8221;Montserrat||||||||&#8221; text_font_size=&#8221;18px&#8221; text_line_height=&#8221;1.8em&#8221; ol_line_height=&#8221;2em&#8221; header_font=&#8221;||||||||&#8221; header_2_font=&#8221;Montserrat|500|||||||&#8221; header_2_text_align=&#8221;left&#8221; header_2_font_size=&#8221;18px&#8221; header_2_letter_spacing=&#8221;2px&#8221; header_2_line_height=&#8221;1.3em&#8221; header_3_font=&#8221;Montserrat||||||||&#8221; header_3_text_align=&#8221;center&#8221; header_3_text_color=&#8221;#494949&#8243; header_3_font_size=&#8221;23px&#8221; header_3_letter_spacing=&#8221;5px&#8221; header_3_line_height=&#8221;2em&#8221; transform_translate_linked=&#8221;off&#8221; module_alignment=&#8221;center&#8221; custom_padding=&#8221;|0px||||&#8221; hover_enabled=&#8221;0&#8243; header_2_font_size_tablet=&#8221;40px&#8221; header_2_font_size_phone=&#8221;26px&#8221; header_2_font_size_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<p style=\"text-align: justify;\"><strong>In this issue you will find\u2026<\/strong><\/p>\n<p>4. Abate Bussoni Editorial \u00abThe success of Reggeton is the failure of the contemporary artist\u00bb<br \/>6. Erik Parker: Psychedelic Chromaticism<br \/>20. Artificial Intelligence (AI) changes the concept of a museum<br \/>26. I only know what I have seen, winner of the Loewe Craft Prize 2024<br \/>44. Soledad Sevilla: Echoes of light and shadow in the Reina Sof\u00eda<br \/>50. \u201cThe dream of the colcedra\u201d: Teresa Lanceta weaves history and culture in the Patio Herreriano Museum<br \/>54. Teresa Solar Abboud navigates between language and form<br \/>60. Rebeca Plana and her balsamic \u00abUntdelemn\u00bb<br \/>64. Malta: A crossroads in contemporary art<br \/>68. Any Tapies<br \/>76. Carla, the silent guardian of ASD<br \/>80. The eternal and rebellious childhood of Yoshitomo Nara in the heart of the Guggenheim Bilbao<br \/>84. Live forever (for a moment): An immersion in the work of Damien Hirst<br \/>90. Helmut Newton \u2013 Fact &amp; Fiction: A Provocative Look at the MOP Foundation<br \/>100. Juana de Aizpuru, a distinguished career in contemporary art<br \/>106. Marlborough, the bastion of art, closes its doors<br \/>108. EARTH without ART is just &#8220;EH&#8221; Dalo Unique<br \/>112. Museu de l\u2019Art Prohibit, a sanctuary for works that challenge<br \/>120. Simose, the museum that stimulates the senses<br \/>128. The Pompidou Center in Paris closes<br \/>130. The soul of Kumiko and Matt Kenney&#8217;s mastery of the art of Japanese carpentry<br \/>138. Gabriela Serrats inspired by her surroundings<br \/>142. Ram\u00f3n Ferrer<br \/><strong>144. N\u00faria Companys Castro invites us to look beyond the obvious<\/strong><br \/>146. Mar\u00eda Jos\u00e9 Bux\u00f3: The emotional expression of color in contemporary abstraction<br \/>148. LIBRARIES OF THE 21ST CENTURY Gabriel Garc\u00eda M\u00e1rquez Library stands out as the best globally<br \/>154. \u00abConversations with Marcel Duchamp\u00bb<br \/>156. \u00abCalifornia Crazy\u00bb<br \/>160. \u00abGet the Picture\u00bb<br \/>162. \u00abArt Singular\u00bb<br \/>164. Art in Motion: Emma Lindstr\u00f6m captures the essence of time in her latest work inspired by Brandy de Jerez 1866<br \/>168. Mar\u00eda Suero<br \/>170. Alejandro Grandas<br \/>172. Fernando S\u00e1nchez<br \/>174. The Sagrada Familia progresses towards completion<br \/>182. The subtle beauty of Japandi: An oasis of calm in your home<br \/>184. Heatherhill Beach House<br \/>190. The inspiring con: ARTNOBEL Menorca<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.18.0&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;28px||42px|||&#8221; da_disable_devices=&#8221;off|off|off&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221; da_is_popup=&#8221;off&#8221; da_exit_intent=&#8221;off&#8221; da_has_close=&#8221;on&#8221; da_alt_close=&#8221;off&#8221; da_dark_close=&#8221;off&#8221; da_not_modal=&#8221;on&#8221; da_is_singular=&#8221;off&#8221; da_with_loader=&#8221;off&#8221; da_has_shadow=&#8221;on&#8221;][et_pb_row _builder_version=&#8221;4.18.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.18.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.21.0&#8243; text_font=&#8221;||||||||&#8221; 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da_dark_close=&#8221;off&#8221; da_not_modal=&#8221;on&#8221; da_is_singular=&#8221;off&#8221; da_with_loader=&#8221;off&#8221; da_has_shadow=&#8221;on&#8221;][et_pb_row _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/www.reluet.com\/wp-content\/uploads\/2023\/07\/Logo-NextGenerationEU.jpg&#8221; title_text=&#8221;Logo NextGenerationEU&#8221; align=&#8221;center&#8221; _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Article Artnobel Magazine Inspiration Review of Contemporary Art<\/p>\n<p>It is a digital magazine that promotes art with a strong presence on the Internet since 1999.<\/p>\n","protected":false},"author":1,"featured_media":8379,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","content-type":"","footnotes":""},"categories":[154],"tags":[],"class_list":["post-8349","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"_links":{"self":[{"href":"https:\/\/www.reluet.com\/en\/wp-json\/wp\/v2\/posts\/8349","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.reluet.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.reluet.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.reluet.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.reluet.com\/en\/wp-json\/wp\/v2\/comments?post=8349"}],"version-history":[{"count":8,"href":"https:\/\/www.reluet.com\/en\/wp-json\/wp\/v2\/posts\/8349\/revisions"}],"predecessor-version":[{"id":8711,"href":"https:\/\/www.reluet.com\/en\/wp-json\/wp\/v2\/posts\/8349\/revisions\/8711"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.reluet.com\/en\/wp-json\/wp\/v2\/media\/8379"}],"wp:attachment":[{"href":"https:\/\/www.reluet.com\/en\/wp-json\/wp\/v2\/media?parent=8349"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.reluet.com\/en\/wp-json\/wp\/v2\/categories?post=8349"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.reluet.com\/en\/wp-json\/wp\/v2\/tags?post=8349"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}