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In the publication of the Art Gallery’s collective catalog number 53 in January, curator Antonio Sanchez Castro<\/strong> published an article by the resilient illustration Mireia.<\/span><\/p>\n The Mireia resilient illustration is part of the Reluet cryptology collection. Where I rediscover what lies behind the vowels and consonants that play and give rise to a proper name that advances.<\/span><\/p>\n In each of the Reluet resilient works, I invite you to connect your own emotions and experiences, turning art into a vehicle for self-discovery and reflection.<\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n RELUET, THE UNIVERSAL CODE OF RIVERS<\/strong><\/span><\/p>\n Text by curator Antonio Sanchez Castro:<\/span><\/p>\n The work is part of the tradition of geometric minimalism, where formal simplicity and economy of elements lead to powerful symbolic expressiveness. The sharp and contrasting black lines build a structure that suggests dynamism and balance, while the red curves provide a softness that balances the composition. At the top, a yellow circle stands as a focal point, evoking the sun or a symbolic guide on the horizon.<\/span><\/em> The simplicity of the line is not a limitation, but a resource that invites the viewer to project their own interpretation.<\/span><\/em><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.reluet.com\/wp-content\/uploads\/2025\/02\/Rojo-Verde-Azulado-Brillante-y-Alegre-Moda-Moodboard-Collage-de-Fotos-1.jpg” alt=”Publicaci\u00f3n en la Revista Groc La Noguera Acoger\u00e1 el Cortometraje \u201cMemoria bajo el Agua%22. N\u00faria Companys co-guionista y actriz principal” title_text=”Rojo Verde Azulado Brillante y Alegre Moda Moodboard Collage de Fotos (1)” align=”center” _builder_version=”4.27.4″ _module_preset=”default” custom_margin=”||-1px|||” custom_padding=”||40px|||” border_width_all=”1px” border_color_all=”#000000″ global_colors_info=”{}”][\/et_pb_image][et_pb_button button_url=”https:\/\/www.instagram.com\/arte.reluet\/” url_new_window=”on” button_text=”Follow me on Instagram” button_alignment=”center” _builder_version=”4.21.0″ _module_preset=”default” custom_button=”on” button_text_size=”23px” button_text_color=”#FFFFFF” button_bg_color=”#000000″ button_icon=”||divi||400″ button_on_hover=”off” locked=”off” global_colors_info=”{}”][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image 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header_2_font=”Prata|500|||||||” header_2_text_align=”center” header_2_font_size=”38px” header_2_line_height=”1.3em” header_3_font=”Montserrat|700||on|||||” header_3_text_align=”center” header_3_text_color=”#6b6b6b” header_3_font_size=”23px” header_3_letter_spacing=”5px” header_3_line_height=”2em” transform_translate_linked=”off” max_width=”1080px” max_width_tablet=”70%” max_width_last_edited=”off|phone” module_alignment=”center” header_2_font_size_tablet=”40px” header_2_font_size_phone=”26px” header_2_font_size_last_edited=”on|tablet” header_3_font_size_phone=”10px” header_3_font_size_last_edited=”off|desktop” module_alignment_last_edited=”off|desktop” locked=”off” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blog fullwidth=”off” posts_number=”3″ 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global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" Radio Si\u00f3 Interview “N\u00faria Companys Brings Her Art to the 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This approach is reminiscent of the exploration of Russian constructivism, in the way in which artists such as El Lissitzky and Kazimir Malevich stripped the form of all narrative reference to endow it with universal meaning. Likewise, the work evokes the sensitivity of Joan Mir\u00f3, where line and color acquire a poetic and evocative function.<\/span><\/em><\/p>\nReluet in Press<\/h3>\n