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En la publicaci\u00f3 del cat\u00e0leg col\u00b7lectiu n\u00famero 53 de gener d’Art Gallery, el curador Antonio Sanchez Castro<\/strong> va publicar un article de la il\u00b7lustraci\u00f3 resilient Mireia.<\/span><\/p>\n La il\u00b7lustraci\u00f3 resilient Mireia forma part de la col\u00b7lecci\u00f3 de criptologia de Reluet. On redescobreixo que hi ha darrere de les vocals i consonants que juguen i donen lloc a un nom propi que avan\u00e7a.<\/span><\/p>\n A cadascuna de les obres resilients Reluet t’invito que connectis les teves pr\u00f2pies emocions i experi\u00e8ncies convertint l’art en un vehicle d’autodescobriment i reflexi\u00f3.<\/span><\/p>\n RELUET, EL CODI UNIVERSAL DELS RIUS<\/strong><\/span><\/p>\n <\/p>\n Text curador Antonio Sanchez Castro:<\/span><\/p>\n L’obra s’inscriu a la tradici\u00f3 del minimalisme geom\u00e8tric, on la simplicitat formal i l’economia d’elements condueixen a una expressivitat simb\u00f2lica potent. Les l\u00ednies negres, marcades i contrastants, construeixen una estructura que suggereix dinamisme i equilibri, mentre que les corbes vermelles aporten una suavitat que equilibra la composici\u00f3. A la part superior, un cercle groc s’erigeix \u200b\u200bcom un punt focal, evocant el sol o una guia simb\u00f2lica a l’horitz\u00f3.<\/span><\/em> La simplicitat del tra\u00e7 no \u00e9s una limitaci\u00f3 sin\u00f3 un recurs que convida l’espectador a projectar la seva pr\u00f2pia interpretaci\u00f3.<\/span><\/em><\/p>\n <\/p>\n <\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb2_5″ _builder_version=\u00bb4.16″ custom_padding=\u00bb|||\u00bb global_colors_info=\u00bb{}\u00bb custom_padding__hover=\u00bb|||\u00bb][et_pb_image src=\u00bbhttps:\/\/www.reluet.com\/wp-content\/uploads\/2025\/02\/Rojo-Verde-Azulado-Brillante-y-Alegre-Moda-Moodboard-Collage-de-Fotos-1.jpg\u00bb alt=\u00bbPublicaci\u00f3 a la Revista Groc La Noguera Acollir\u00e0 el Curtmetratge \u201cMem\u00f2ria sota l’Aigua\u201d22. N\u00faria Companys co-guionista i actriu principal\u00bb title_text=\u00bb1819 Art Gallery, Reluet, curador Antonio Sanchez Castro\u00bb align=\u00bbcenter\u00bb _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||-1px|||\u00bb custom_padding=\u00bb||40px|||\u00bb border_width_all=\u00bb1px\u00bb border_color_all=\u00bb#000000″ global_colors_info=\u00bb{}\u00bb][\/et_pb_image][et_pb_button button_url=\u00bbhttps:\/\/www.instagram.com\/arte.reluet\/\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbSegueix-me a Instagram\u00bb button_alignment=\u00bbcenter\u00bb _builder_version=\u00bb4.21.0″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_size=\u00bb23px\u00bb button_text_color=\u00bb#FFFFFF\u00bb button_bg_color=\u00bb#000000″ button_icon=\u00bb||divi||400″ button_on_hover=\u00bboff\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row 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Aquest enfocament recorda l’exploraci\u00f3 del constructivisme rus, en la manera com artistes com El Lissitzky i Kazimir Mal\u00e9vitx desposse\u00efen la forma de tota refer\u00e8ncia narrativa per dotar-la d’un significat universal. Aix\u00ed mateix, l’obra evoca la sensibilitat de Joan Mir\u00f3, on la l\u00ednia i el color prenen una funci\u00f3 po\u00e8tica i evocadora.<\/span><\/em><\/p>\nReluet a Premsa<\/h3>\n